Dedicated project manager
A single point of contact who knows your project and stays by your side on every release.
Bespoke Plan
For artists thinking bigger: personalized support, tailored terms — an advance, a payment, or a distribution rate — and a dedicated project manager who handles everything, from platform delivery to results tracking.
A real partnership, built to get your music moving.
A single point of contact who knows your project and stays by your side on every release.
Platform delivery, scheduling, editorial pitches, optimization: we take care of it all.
Clear visibility on every step of the pipeline and on your results.
Depending on your project: an advance, a payment, or a distribution rate — tailored to you.
Tell us about your project, your goals and your upcoming releases.
Together we define the tailored terms — an advance, a payment or a rate — that fit your situation.
A dedicated lead structures and drives your distribution strategy.
We roll out your releases and track results together, continuously.
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FAQ
It is intended for artists, labels, and projects whose needs require more support than a standard plan.
Yes. The Custom offer includes a dedicated project manager who follows the project and the various distribution stages.
The offer includes distribution managed from A to Z by the Dibsteur team, including delivery to platforms and release follow-up.
An advance is one of the possibilities that may be offered depending on the project. The terms are defined after the situation has been reviewed.
No. It may also apply to an artist whose project requires a specific level of support or specific terms.
Yes, it may be particularly relevant for labels or projects managing a large volume of releases and looking for appropriate support.
There is no single listed price, since the terms are defined according to the project, the level of support, and the chosen model.
In detail
Some music projects need more than simple access to a distribution platform. An artist who is already growing their audience, a label managing a large catalog, or a team preparing several releases may need closer support, specific terms, and a point of contact who can manage the distribution with them.
Dibsteur’s Custom offer is based on this approach: building support tailored to the project rather than asking every artist or label to fit into a standard plan.
A dedicated project manager oversees the distribution, releases, and the various stages defined with the team. Depending on the situation, the terms may also take the form of an advance, a payment, or a tailored distribution rate.
The goal is to retain Dibsteur’s tools and distribution capabilities while adding more extensive human support when the project requires it.
Two artists with the same number of releases do not necessarily have the same needs. One project may be preparing a first album with a major launch strategy, while another may already have a catalog, an audience, and several releases scheduled throughout the year. A label, for its part, may manage several artists, each with their own schedule and objectives.
The artist support offered as part of the Custom plan therefore begins with an analysis of the project, its stage of development, and its next steps.
It is not simply a matter of adding features to an existing plan. The needs, terms, and level of support are defined according to the actual situation of the project.
When several releases, platforms, and deadlines need to be coordinated, having a single point of contact greatly simplifies follow-up.
The Custom offer includes a dedicated project manager who knows the project and remains involved throughout the various releases. Their role includes overseeing distribution, organizing the stages defined with the artist or label, and maintaining an overall view of what needs to be done.
This setup avoids having to go over the entire context again with each new request. The project manager follows the development of the catalog and can support several successive releases within the same approach.
The Custom offer is not based solely on advice. Dibsteur also provides distribution managed by its team, from preparing delivery to the platforms through to monitoring results, including calendar management, editorial pitches, and optimization around releases.
This management can be particularly relevant when an artist wants to devote more time to creation, promotion, or development rather than to the operational management of each distribution.
For a label, it also makes it possible to maintain better organization when several projects need to be managed in parallel.
Not every release necessarily deserves the same level of investment. A single intended to prepare a larger project does not necessarily play the same role as an album that has been anticipated for several months. One release may be primarily intended for streaming, while another may be part of a broader strategy involving promotion, content, social media, and editorial work.
The Custom support therefore makes it possible to organize distribution while taking into account the actual role of each release. The schedule, platform preparation, and actions carried out around the launch can be defined according to the project rather than applied identically to all artists.
A Custom offer is not intended to impose exactly the same business model on every project. Depending on the situation, Dibsteur indicates that it may offer an advance, a payment, or a tailored distribution rate. These possibilities make it possible to adapt the terms to the artist’s or label’s stage of development, their catalog, and the relationship being considered with Dibsteur.
A project that is already structured with a regular audience may, for example, have different needs from an artist preparing a new phase of development. The terms are therefore not determined by a single pricing grid: they are discussed after speaking with the team.
A release may progress quickly, find its audience several weeks later, or perform very differently depending on the platforms and territories. Distribution does not stop when the track becomes available.
The Custom offer provides follow-up from A to Z, with visibility into the different stages of the project and the results. This allows the artist or label to remain in contact with their project manager after the release goes live and to place each release within the overall development of the catalog.
Revenue generated by music is naturally one of the factors to consider when a project begins to grow. Depending on the agreement reached as part of the Custom offer, the financial model can be adapted to the situation of the artist or label.
It is therefore important not to confuse this plan with a standard music distribution offer, where the terms would be identical for everyone. Compensation terms, rates, or any potential advance are established according to the project presented to Dibsteur.
The Custom offer may be relevant when an artist begins to outgrow the needs of a standard plan, for example when they already have a large catalog, are preparing numerous releases, are growing a significant audience, or want more support in managing their distribution.
The benefit is not simply to obtain more features, but to receive a higher level of support and an organization suited to a project that has become more complex. An artist who simply wants to distribute a few releases independently can naturally remain on a standard plan.
Labels may face the same challenges on a different scale. A catalog involving several artists means more releases, files, schedules, and follow-up.
For labels whose needs go beyond a distribution offer dedicated to labels, the Custom offer makes it possible to go further with a relationship tailored to the size of the catalog and the desired level of support.
The three solutions do not address exactly the same needs. The Sérénité offer is suitable for artists who want to manage their own releases using Dibsteur’s distribution tools.
For organizations managing several artists and several catalogs, Dibsteur offers a distribution offer dedicated to labels, with an organization designed to centralize the distribution, statistics, and revenue of several projects.
The Custom offer is aimed more at artists, labels, or teams whose project requires personalized support, more extensive distribution management, or specific terms. The choice therefore depends less on the simple number of releases than on the desired level of independence and support.
Every Custom offer begins with an analysis of the project and its actual needs. If you are preparing several releases, managing a large catalog, or looking for more extensive support for your music distribution, you can present your project to the Dibsteur team in order to review the most appropriate terms.
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